Standalone essays, letters and reflections with no project to hide behind. Memoir, polemic and cultural bloodletting for the things people think but rarely say out loud. Pre-chewed truth isn’t truth.

  • πŸ”₯⚱️ Forged in Pandemonium: the Concept Pieces

    The companion piece to Mutation Quartet, four concept pieces cast in wax and copper after leaving university, the year nobody thought a two-person module was worth marking.

  • πŸ₯€πŸ–€ Rot With a Witness

    A half-arsed flower park in Sweden, a near-black dahlia my father and I grew every year, and what’s left of care once it can’t save anything.

  • πŸŒπŸ’¬ β€˜Ta, Love’: When Warmth Sounds Wrong

    On British working-class language, tone policing, and what happens when ‘ta’ and ‘luv’ get mistaken for unprofessionalism. Warmth as class marker, not small talk.

  • β›΅πŸ’€ The Art of Looking Impressive While Going Nowhere (Since 1628)

    What a seventeenth-century maritime cock-up reveals about mission statements, national branding, and the tyranny of the well-maintained surface.

  • πŸͺ™πŸŽ° A Fortune in Coppers

    The first thing is the noise. Coins on coins, a thousand 2ps shoved back and forth under glass, the whole arcade roaring with it, and somewhere underneath, the electronic gurgle of machines promising more than they ever paid. That and…

  • πŸ—£οΈβš–οΈ The Tyranny of the Tender

    Found where a substantial amount of do-gooders bloom the loudest and the weakest minds in the room sets the rules. This is a written response…

  • πŸ’ŽπŸ‘‘ From common as muck to the Royal College of Art 🀯

    Crowdfunding tuition for an accepted student bridging working-class roots and elite art education.

  • πŸ„πŸ’€ Sanctified Decay

    This text is drawn from the Rotwhite Archive, expanded here as a written companion to Decay for Clout. The Rotwhite Expanse is not a place. It is a diagnosis.

  • πŸ’€πŸ¬ Deadweight

    This text was written as a companion to The Sweetness of Damage. A condensed extract was submitted as part of a written portfolio application to the Royal College of Art. What follows is the original text from which that extract was drawn.

  • 🐰🧠 Third Person Memory Collapse

    This text was written as a companion to Undulating Husk: Memory Vessels. A condensed extract of approximately 200 words was submitted as part of a written portfolio application to the Royal College of Art.

  • πŸ°πŸ’” Goodbye, Muffy

    This is a journal entry written at the time of Muffin’s passing, reproduced here as part of the Corrode & Crown archive. It is the source material from which the work developed.